Creating mood and atmosphere: ‘The Foretelling’

I have already painted the castle here in Jimena at night. The castle holds many mysteries and Jimena de la Frontera  itself attracts a lot of people who have problems, and a few people have chosen to end their lives up there. I also know ashes have been scattered from there. So, with all this in mind, I would like to create  a picture of the castle with a feeling of death hanging over it. A moody, menacing sky. I can use some of the work I did previously of the castle, although I am thinking a sunset (which is behind the castle) using lots of reds which I have noted from research can add a feeling of menace. It could be quite surreal; the Griffin Vultures here clean up the dead (animals…they are not Parsi) so I could use them almost like angels of death above the castle. I am also remembering the books of Carlos Castenada that I used to love (Long time ago…) but the premise was that ultimately we return to the eagle (unless you are a warrior shaman of course :-)) So the symbol of the eagle, like the vulture,  coming for you at the end of your life, to crush you in its beak and take your life experiences, is in my mind.

‘I am already given to the power that rules my fate.

And I cling to nothing, so I will have nothing to defend.

I have no thoughts, so I will see.

I fear nothing, so I will remember myself.

Detached and at ease,

I will dart past the Eagle to be free.’

Soundtrack: ‘My death’ , David Bowie https://www.youtube.com/watch?v=5VR7XX5S-qY

I did some charcoal sketches of the vultures from my own photos, but they weren’t quite right for what I need. image3 (17)I have some pictures I have taken over the years but never caught one descending down, so I have used this image below: image from: http://entertainmentstar.blogspot.com.es/2010/07/wildlife-animals-of-ruppells-giffon.html

rupellsgriffonvulture7349c_img17

 

I am taking inspiration from de Chirico’s ‘The red tower’, the threatening menace he somehow invokes with the long shadows and the dark foreground, the half seen statue of the rider on a horse. I will keep  the foreground darker, as it will be when the sun sets behind the castle and there should be some reds in the sky.  source: http://www.progetti.iisleviponti.it/Luci_e_ombre/html/chirico.htmltorreI think the bird itself should be more cloud like, not quite one thing or the other, and should be a source of light as if the moon is behind it perhaps, as in my sketch it is too bold and the perspective doesn’t work well. I am thinking of William Blake and they way he saw fantastical creatures in the clouds. I particularly like the colours and the style used by Blake in his ‘Red dragon and the woman clothed with the sun’ source: http://www.gailgastfield.com/blake3.html

image2 (66)

Charcoal study, A3 sketch pad, composition.

image1 (98).JPG

Colour study in acrylics A4 sketch sheets.

I am now back from a 2 week break to the UK and so I need to get into this project again. At the exhibition ‘Beyond the Great Wave’ I was inspired by Hokusai’s dragon over mount Fuji- source: http://www.katsushikahokusai.com/The-Dragon-of-Smoke-Escaping-from-Mount-Fuji.jsp

….and it made me think of my little project. I think the dragon looks so large, as he has caught it with the scale of the mountain; if he had painted it too large it would not have been believable. I really liked this painting.

The-Dragon-of-Smoke-Escaping-from-Mount-Fuji-small

I decided that I would try and put a dragon over the castle just to see what it would look like and also because my head is still full of Hokusai…. I painted out the background as before but on A3 acrylic paper and then I found a closer image of the dragon and tried to copy this onto my painting. 20170612_145934

It is not so dramatic as the vulture and rather delicate; I used a pen to get the edges of the dragon sharp. It was a good exercise which I enjoyed but I will go back to my original plan and also I will work on an A2 plus sized canvas board. The two styles don’t mix so well, not a good idea to swop halfway through…..I think I got distracted 😉

So, I have finally painted ‘The Foretelling’ , using a 60 x 50 canvas framed, which I think is the largest I have used as yet image1 (100)on this course. I found working some of the time with a sponge to apply the paint worked quite well for the sky. It was difficult to decide how realistic to make the vulture, I also wanted it to be surreal apparition in the sky, really a vision in the clouds. Did this work? Actually, not too bad. I think the red tower and dark foreground give it a menacing feeling, as in the de Chirico. This (small, above left) is before I re did the vulture head, as I suddenly thought it looked too much like a pigeon…I not the effect I was looking for! I did another fast sketch and then painted it in again and I also added some more light to the sky – it is much better, much more vulture-like now.

It was hard to get my mind back to this project after taking a break in  the middle but it was unavoidable but still, something to consider in the future. I came back with my head full of Hokusai and it was hard to return to where I was mentally before.  But I will return and give my thoughts on this after a few weeks.

The foretelling finished

Retrospective-reflection: This is not as good as I remembered! I can however see my influences and how it has worked out.  I think it does have a feeling a menace about it. There is perhaps something about the castle which does not feel right but I think the dark foreground works well. I still like my idea….

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Author: Wendy Kate

Happily sharing my life with a tall bearded man from Dorset and a crazy wild animal masquerading as a tabby cat.

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